Benedicto "BenCab" Cabrera - Artworks and Paintings Collection

A lot of 4 framed 'Mother and Child' ceramic plates

Benedicto Reyes Cabrera (born April 10, 1942), better known as "BenCab", is a Filipino painter and was awarded National Artist of the Philippines for Visual Arts (Painting) in 2006.

He is recognised as a pioneer of Philippine art. BenCab's paintings often depict figures wrapped in flowing fabrics in muted tones and earthy colour palettes. He has been noted as "arguably the best-selling painter of his generation of Filipino artists."

A framed BenCab offset lithographic reproduction

Early life and education

BenCab was born to Democrito Cabrera and Isabel Reyes in Malabon, Philippines on April 10, 1942. He was the youngest of nine children. BenCab's first exposure and discovery of the arts happened through his elder Brother Salvador, who was already an established artist during Bencab's childhood.

He went on to study at the University of the Philippines Diliman. He received his bachelor's degree in Fine Arts in 1963.

Untitled (Two Mothers) 2010

Untitled (Two Women), dated 2021

Man hiding face, dated 1986

Family and European Career

BenCab met British journalist Caroline Kennedy (author of An Affair of State, 1987, and How the English Establishment Framed Stephen Ward, 2013) in Manila in 1968, and married her in London in 1969.[3] The couple decided to stay in London. They have three children. The eldest, Elisar, was born in 1971 and is now a film and web series producer, married to award-winning playwright and web series writer, Lisa Gifford, based in London; Their middle child, Mayumi, was born in Manila in 1973 and became a successful model both in London and Los Angeles. She currently lives in Los Angeles with her partner, John A. Fries, and their two children, Ronan (2011) and Ione (2013). Their youngest, Jasmine was born in 1977, the mother of Sienna Daphne (b.2016), and lives in Quezon City.

Heads (Sculpture) 2017

When BenCab returned to the Philippines in 1972, he was hailed as a Filipino pioneer of the arts and a significant influence among his peers. However, he returned to London once more in 1974, partly to get away from the tightening grip of Martial Law, which Ferdinand Marcos had declared in 1972. That event is said to have "marked the beginning of [BenCab]'s passionate involvement with social commentary and the topics of repression and freedom," turning him into a key figure in the development of protest art against the Marcos dictatorship.

Family, dated 2018

His Larawan series was developed out of his nostalgia for the Philippines. He and Caroline used to scour local flea markets all over Europe looking for early maps and prints of the Philippines. This collection became the basis for his Larawan series.

Untitled, 2019

In 1985, however, BenCab's 16-year marriage with Kennedy ended in divorce, and he eventually decided to come home to the Philippines.

Untitled, #21/24, dated 2018

The Baguio Years

BenCab eventually returned to the Philippines, and settled in the City of Baguio in Northern Luzon, eventually putting up a studio and a secluded little farm on Asin road, in the nearby town of Tuba, Benguet. He and a small group of fellow artists - visual artist Santiago Bose, filmmaker Kidlat Tahimik, and sculptor Ben Hur Villanueva, among others, established the Baguio Arts Guild (BAG). It was during this period in his career that BenCab began to more deeply explore the use handmade paper as a medium on which to work.

Rolly (Cocojam), dated 1995

When the 1990 Luzon earthquake struck, BenCab and the BAG helped out by instituting programs such as the ArtAid workshop for traumatized children, and a fund-raising art auction they titled "Artquake." Bencab was elected president of the guild the following year.

A lot of 2 BenCab offset lithographic reproductions

Later in the 1990s, BenCab's input was a critical element in the creation of Tam-awan Village, "a refuge for local artists who desire a nurturing environment in which to develop their talents, and a community for all those who wish to take part in the harmonious fusion of art, culture, environment, and history."

Umbrellas, dated 1986

BenCab also exhibited considerably during the last decade of the Millennium, also reaping many accolades. Among the most prominent of the many awards received by BenCab during this period was the Gawad CCP Para sa Sining (Cultural Center of the Philippines Award for the Arts) in 1992.